Delve into 'Saltburn,' a film challenging societal norms through a twisted narrative of wealth, class, and deception. Explore the provocative world crafted by director Emerald Fennell, where the unexpected becomes the norm.
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| Saltburn is now streaming on Amazon Prime Video. |
Emerald Fennell's sophomore film, 'Saltburn', emerges as an audacious, twisted dark comedy that flips societal norms on their head. Buckling against expectations set by her earlier work, it's a deliberate slap in the face to those who heralded her 'Promising Young Woman'. This time, she crafts a narrative where the grotesquely wealthy stand as the most composed amidst societal chaos, challenging viewers to rethink conventional notions.
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The movie weaves a tale of class struggle, painting an unconventional portrait where the elite appear less insane than the rest. It's a bold move, subtly suggesting that in a broken world, survival might only favor the 'parasites.' But amid its captivatingly twisted plot, 'Saltburn' prods at the limits of provocation, leaving audiences to ponder: Is there substance beneath the shock, or is it all spectacle?
Barry Keoghan embodies yet another sociopathic role as Oliver Quick, a scholarship student adrift in the world of Oxford. His chance encounter with the charismatic Felix Catton, played by Jacob Elordi, sparks an inseparable bond, blurring lines between class and camaraderie.
As Oliver delves into Felix's world at the grand Saltburn estate, Rosamund Pike and Richard E Grant portray Felix's parents, delivering performances that seem mismatched yet oddly fitting. Pike's Elspeth exudes shades of Amy from 'Gone Girl,' maintaining a disdain for anything she deems unattractive while treating people like disposable toys.
'Saltburn' disrupts the expected narrative; Oliver isn't the relatable lead navigating a strange world but an enigmatic figure, contrasting the more relatable albeit objectionable Catton family. This deliberate twist challenges the audience's empathy, shuffling perceptions deep into the narrative, revealing Felix as the true tragic hero, portrayed with nuanced vulnerability by Elordi.
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Fennell steers clear of painting Felix as wholly detestable, opting instead for Elordi's portrayal as a charming but perhaps dim-witted character. Oliver, however, is subtly framed as more sinister, leading the story into a gripping and unsettling final act that might prompt some viewers to flee the theater.
Fennell's bold storytelling continues to spark debate, teetering on the edge of glorifying privilege and questioning the demonization of the marginalized, yet her growth as a filmmaker remains undeniably satisfying to witness.
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